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Emily Peacock

  • Biography
  • Photography
  • Works on paper
  • Exhibitions
  • Press
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  • "Outdoor Recreation 15," 2024, archival inkjet print, 20 x 30 inches, ed. 1/5 + 2 APs
  • "For more than 15 years, Emily Peacock has walked a path well worn by loud Texas women. Famous drawling folks like Molly Ivins, Ann Richards, or Brené Brown have taken the access afforded them to speak on difficult issues regarding family, gender, mental health, and class disparities.  As an artist, Peacock uses her work to point out related tough incongruities–thresholds where reality and the absurd meet."

    –Natalie Zelt

     
  • B. 1984, PORT ARTHUR, TX

    LIVES AND WORKS IN HOUSTON, TX

    DOWNLOAD ARTIST CV

  • Emily Peacock collaborates with her family to create work that examines and celebrates this bond. Familial history and relationships, domesticity,...
    Emily Peacock, Girl in a coat lying on her bed, N.Y.C., 2012

     

    Emily Peacock collaborates with her family to create work that examines and celebrates this bond. Familial history and relationships, domesticity, the Texas landscape, and personal loss and tragedy form the foundation of her work. Peacock is also a stand-up comedian who employs humor and self-deprecation as coping mechanisms for tragedy explored across various media, from photography, film, and sculpture to installation. She emphasizes the tension between emotional vulnerability and extroversion through the consistent presence of her body in her photographs, performances, and videos. 
     
    During the isolation phase of the pandemic, Peacock was admitted to a psychiatric hospital. When the pandemic gates opened, she "ran out into the world, sometimes tripping over [her] feet."  Presently, her work focuses on the profound impact of the pandemic on human connection and technology's role in this division. Recent photographs integrate technology and nature in surreal nighttime scenes, offering an uncanny perspective on our digitally dominated world. All humans experience loss and pain, and from this commonality, Peacock enjoys connecting with people through her art.
     
    In her work, vernacular aspects of life, nature, domestic surroundings, collections, and middle-class minutiae are equally important. Grounded in memoir and regional familiarity, Peacock believes "an ordinary object or place can hold a lot of meaning for one person, but not the next... How does one take an ordinary object or place and give it meaning?  I like thinking about this phenomenon, which has become a guiding principle of my creative output."
     
    Peacock is a Houston-based artist; she received her MFA in Photography/Digital Media from the University of Houston and is a Professor of Art at Sam Houston State University. Peacock was a 2013-2014 Lawndale Artist Studio Program participant. In 2016, she received the Houston Arts Alliance Individual Artist Grant; in 2019, the New Faculty Research Grant and has had solo exhibitions at Lawndale Art Center, Houston and the Art Museum of Southeast Texas, Beaumont. She has exhibited her work throughout the United States, in Vienna, Austria, and the United Kingdom. Peacock’s work is in the permanent collections of the Art Museum of Southeast Texas and the Museum of Fine Arts, Houston.
  • Photography
    • about ready to pop
      about ready to pop
    • the only son of a photographer
      the only son of a photographer
    • The Tress
      The Tress
    • Pretty, Witty, Shitty
      Pretty, Witty, Shitty
    • Feeding Frenzy
      Feeding Frenzy
    • Burning Desire (Outdoor Recreation 9)
      Burning Desire (Outdoor Recreation 9)
    • Outdoor Recreation 7
      Outdoor Recreation 7
    • Outdoor Recreation 2
      Outdoor Recreation 2
    • Flower Field
      Flower Field
    • Me as Eleanor, cheers to Harry Callahan
      Me as Eleanor, cheers to Harry Callahan
    • Cardinal Red
      Cardinal Red
    • You're middle class Is showing
      You're middle class Is showing
    • Bruised
      Bruised
    • A young man in curlers at home on West 20th (You, Me & Diane)
      A young man in curlers at home on West 20th (You, Me & Diane)
    • Stuck
      Stuck
  • "A Matter of Kinship," 2014
  • Works on paper
    • Head Cheese 11
      Head Cheese 11
    • Head Cheese 09
      Head Cheese 09
    • Head Cheese 08
      Head Cheese 08
    • Head Cheese
      Head Cheese
    • Head Cheese 1
      Head Cheese 1
    • Head Cheese 2
      Head Cheese 2
  • Emily Peacock: die laughing Lawndale Art & Performance Center, Houston, TX, 2021 'For more than 15 years, Emily Peacock has... Emily Peacock: die laughing Lawndale Art & Performance Center, Houston, TX, 2021 'For more than 15 years, Emily Peacock has... Emily Peacock: die laughing Lawndale Art & Performance Center, Houston, TX, 2021 'For more than 15 years, Emily Peacock has... Emily Peacock: die laughing Lawndale Art & Performance Center, Houston, TX, 2021 'For more than 15 years, Emily Peacock has... Emily Peacock: die laughing Lawndale Art & Performance Center, Houston, TX, 2021 'For more than 15 years, Emily Peacock has... Emily Peacock: die laughing Lawndale Art & Performance Center, Houston, TX, 2021 'For more than 15 years, Emily Peacock has... Emily Peacock: die laughing Lawndale Art & Performance Center, Houston, TX, 2021 'For more than 15 years, Emily Peacock has... Emily Peacock: die laughing Lawndale Art & Performance Center, Houston, TX, 2021 'For more than 15 years, Emily Peacock has...

    Emily Peacock: die laughing

    Lawndale Art & Performance Center, Houston, TX, 2021

     

    "For more than 15 years, Emily Peacock has walked a path well worn by loud Texas women. Famous drawling folks like Molly Ivins, Ann Richards, or Brené Brown have taken the access afforded them to speak on difficult issues regarding family, gender, mental health, and class disparities. As an artist, Peacock uses her work to point out related tough incongruities–thresholds where reality and the absurd meet. Peacock's artwork–which has grown across media to include photography, film, painting, performance, sculpture, and installation–elicits a kind of formative discomfort from many of her viewers that is akin to the atmosphere in a crowded room moments after that loud lady in the back asked a question–that question that is a bit too much about the taboo realities of living in this world–but is what some of us are conditioned to avoid thinking about ourselves. Peacock's artwork is a formal experiment in naming difficult and dissonant experiences using playful aesthetics rooted in the contemporary culture and the histories of art. "die laughing" showcases her use of humor and juxtaposition as mechanisms for critique as well as a means of recognizing often invisible but pervasive discrepancies in everyday life."

     

    –Excerpt from an essay by Natalie Zelt, Ph.D., Terra Foundation for American Art Fellow in American Photography at Rijksmuseum for die laughing, work by emily peacock
    Lawndale Art Center
  • Exhibitions
    • EMILY PEACOCK

      EMILY PEACOCK

      BABYCAKES 7 Mar - 16 May 2026
      Read more
    • EMILY PEACOCK

      EMILY PEACOCK

      BRUISER 26 Jul - 24 Aug 2024
      Read more
  • Press
    • Emily Peacock, "I Run My Mouth Off", 2025 at Seven Sisters

      Art Notes

      The Art + Design Issue., PAPERCITY Houston, April 2026
      Catherine D. Anspon, PAPERCITY
    • Emily Peacock, “Tender Burden,” 2025, archival inkjet print, 18 x 12 inches

      Top Five: March 26, 2026

      Glasstire counts down the top 5 art events in Texas
      Glasstire, March 26, 2026
    • Emily Peacock, "Flower Field", Archival inkjet print, 2022

      a way to mend

      Blaffer Art Museum, June 7, 2025
    • Emily Peacock "Cheers to you, Woodman," 2006, gelatin silver print

      Top Five: August 8, 2024

      Emily Peacock: Bruiser (#1)
      GLASSTIRE, August 8, 2024
    • Image Credits: Emily Peacock

      Meet Emily Peacock

      CanvasRebel, May 16, 2024
    • From left, Emily Peacock and Iva Kinnaird.

      Inside the uncanny attraction of Houston’s newest art duo

      Iva Kinnaird and Emily Peacock had fun creating an exhibit that eschews Americana.
      Joseph Staley, Houston Chronicle, April 7, 2024
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