Seth Cameron
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"In my own paintings, generally of landscapes, I think about the conditions of the sublime, how little it takes to create space, and how space can overwhelm us. That’s the power of the sublime—its duplicity—the comfort of being subsumed bound to the terror of the unknown. Why have I tried to paint this experience? To control it, to understand it, to “process it” somehow—simple curiosity always seemed like enough of a reason."
–Seth Cameron
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"Abstraction is said to preclude narrative. What Cameron achieves is a quiet, compelling marriage of the two.”
–Ade J. Omotosho
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Sumi Ink Series
Soldier, 2024, bleached linen, pine frame, framed: 22 7/8 x 15 x 2 1/2 inches -
Works
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Seth Cameron, Narcissus (After Caravaggio), 2024
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Seth Cameron, Narcissus (Close Up), 2024
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Seth Cameron, The Carpenter, 2024
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Seth Cameron, Burning of the Cameron Home (After D.W. Griffith), 2024
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Seth Cameron, Moonbow, 2024
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Seth Cameron, Stars, 2024
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Seth Cameron, No 17, 2018
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Seth Cameron, Devils River, 2024
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Exhibitions
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Press
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Spotlight on: Seth Cameron
PLATFORM, May 21, 2024 -
Seth Cameron
USF Contemporary Art Museum, TampaChristian Viveros-Fauné, Life During Wartime, September 1, 2020 -
Seth Cameron "The Fair Mountain"
ARTFORUMAde J. Omotosho, ARTFORUM, January 1, 2020 -
In Conversation with Seth Cameron
BODE (/), February 6, 2017
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